3096 tage imdb

3096 Tage Imdb Filmography

Ernst Holzapfel in Natascha Kampusch - Tage Gefangenschaft (). Natascha Kampusch - Tage Gefangenschaft Awards and Nominations. Natascha Kampusch in Natascha Kampusch - Tage Gefangenschaft (). Natascha Kampusch - Tage Gefangenschaft (). Natascha Kampusch, Writer: Tage. Natascha Kampusch was born on February 17, in Vienna, Austria as Natascha Maria Kampusch. She is a writer.

3096 tage imdb

Natascha Kampusch - Tage Gefangenschaft. (60)IMDb minX-​Ray Im Alter von 10 Jahren wurde Natascha Kampusch entführt und acht Jahre. (). Natascha Kampusch - Tage Gefangenschaft Production Manager. (​). Aktenzeichen XY ungelöst! Second Unit Director or Assistant Director. Natascha Kampusch - Tage Gefangenschaft ().

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Based on real life events. She spent 8 and a half years under strict captivity by her kidnapper, and managed to survive one of the cruelest experiences a.

Directed by Alina Teodorescu. Natascha Kampusch, an Austrian girl, got kidnapped, while she was walking to school. TV Shows.

Kostenlos film " Tage " deutsch stream german online anschauen streamkiste Live:Die Österreicherin Natascha Kampusch ist 10 Jahre alt, als sie auf dem Schulweg von dem arbeitslosen Nachrichtentechniker Wolfgang Priklopil entführt wird.

Help Center Contributor Zone Polls. For Industry Professionals. Sign In. Natascha Kampusch Thure Lindhardt. Wolfgang Priklopil Amelia Pidgeon.

Young Natascha Trine Dyrholm. A young Austrian girl is kidnapped and held in captivity for eight years. Based on the factual case of Natascha Kampusch.

Antonia Campbell-Hughes, Actress: Tage. Antonia Campbell-Hughes was born in in Northern Ireland.

In Tage wird die Entführungsgeschichte von Natascha Kampusch von. Bad Neighbors 2 Deutsch bad neighbors 2 stream kinox Erstellen Sie kostenlose Konto und Sie werden wieder gerichtet werden!

Starttermin 5. Mai 1 Std. I had tracked the progress of this film from its initial stages after the release of the book to the ridiculous speculative casting; Kate Winslet and Scarlett Johansson, two actresses known for being voluptuous playing an emaciated young woman from about preadolescence to young adulthood?

Yeah, right! No wonder the film took ages to get going. Unfortunately, it was also delayed because the initial director Bernd Eichinger passed away.

Hoffman later took over the realms with Eichinger still listed as writer. This type of story was not suitable for maudlin Hollywood Oscar bait treatment and fortunately it didn't go there.

It's probably a good thing it was an independent film with obscure indie actors which would help detract the potential glamorization of such a sad sad story.

If you have read the book this film is based on, I would be surprised if you found the film equally insightful.

It isn't. The film in spite of its natural limitations of time does not do enough to absorb Natascha's harrowing story.

You're pretty much getting a clear-cut version of her ordeal but that's not surprising with most adaptations of real life stories, especially ones that have an important chronology as hers did.

This monster robbed her of her youth, and you can't really translate that when you have a grown woman of 30 playing the young teenage version of her.

Having said that, the acting was okay - nothing special. Hughes, to me at age does look convincing as a younger person, not sure enough to pass for a young teenager but you will just have to suspend any disbelief.

The set and locations I think are relatively well done. There are some scenes that were as I imagined them to be reading the book. The story does stretch the truth more than what Natascha herself was willing to reveal in her book but has implied outside of the book later on.

The relationship between kidnapper and captive is very complex - probably not understandable to most people, thankfully.

This movie does a predictably mediocre, yet mildly engaging way of portraying this type of relationship. To be honest, if I just watched the film without actual knowledge of the real-life events that occurred, I would have given it a lower score, but because of my personal interest in Natascha's story, I can't help but say I was interested in the film - to see a visual albeit fictitious representation of what "happened".

The fact that this movie is based on a true story, makes it definitely worth watching. I admire the actrice who playes Natascha Kampusch, she really does an amazing job.

Also, she got extremely skinny to play this role, which makes it even more credible. The small room where she was held in the film, looks exactly like the real one yes, I did some research after I watched this.

In the mood to feel miserable? You won't regret this one! This film is based on real events with very little poetic license, I watched the documentary beforehand called Natascha Kampusch The Whole Story and the film hardly strays from her experiences including where she was held captive, remember you cannot put everything into 1hr 50mins.

Overall i found it most compelling and thought provoking on different sides of human nature. Obey me! The shocking event took place during the late 90's and the title of the film refers to the amount of days Natascha was held captive, so there is no spoiler here.

The premise may sound interesting since this is an extraordinary story, but the truth of the matter is that the film failed to engage me.

The film focuses on Natascha and how she struggled to break away from her chains, forgetting about the outside world there are a few scenes with the mother, but we never get to see her desperation and the police procedural to try to find her.

Because of this the film focused entirely on Natascha's captivity which after a few minutes kind of felt repetitive because there wasn't much they could do with the story.

We see the abuse she experiences and clearly her captor is a troubled and sick young man, but there isn't much more that the film has to say about this.

Thirty minutes into the film you realize that it doesn't have anything more to offer and the story begins to drag so much you actually feel like you are held captive for years.

The film opens with a scene at a local bar in Austria where a 10 year old girl named Natascha Amelia Pidgeon is falling asleep while her father Roeland Wiesnekker is having a few drinks.

The next morning Natascha's mother Trine Dyrholm is trying to wake her up for school, but of course she has trouble doing so due to the late night her father put her through.

Her mother realizes that her father has taken her to the bar again, but Natascha defends him and is slapped for doing so.

Upset, Natascha walks out of her home and heads to school, but on her way there, she is kidnapped by a young man Thure Lindhart who hides her in a white van and takes her to a hidden cell under his home.

For the next 8 years this will be Natascha's home. The film focuses on those early days and then it jumps forward in time to her teen years played here by Antonia Campbell-Hughes where she is abused.

She is convinced that only one of them will survive, but she never loses hope that one day she will break free. The most positive note about this film is the impressive transformation that Antonia Campbell- Hughes went through to play Natascha.

It was shocking to see her so thin and it allowed us to understand the true impact of the abuse she was receiving. It's just too bad she went through this physical transformation in such a bad film.

She delivers a strong performance as well as Thure Lindhart, but the rest of the cast is forgotten. I believe that if the film gave us a better glimpse of the outside world and the struggle Natascha's parents were going through, it would have engaged the audience more.

But since everything takes place almost entirely in captivity the film does get repetitive and dull at times. The story is devastating, but the film never made me feel that way really.

Stick with the book and stay away from this movie. I came to this film without any assumptions, nothing more than the hope to be told more like summarized the incredible story of what this lady had to go through.

Characters were well developed by the the writing staff as well as the actors. The real problem with this film was the editing.

Lack of expertise was palpable in the way this film was cut. It lacked both cohesion and continuity. It looked like a photo reel at times.

The notable exceptions were: the fantastic transition marking 4 years of captivity, and the transition to freedom. They were really well done, very professional.

Then how come the rest of the editing is so amateurish? The first minutes of film were rushed: Lady calls for help. Cut to little girl with her father in a bar.

Cut to sleeping girl. Cut to angry mom, cut to walk to school, All in a few moments. It absolutely looked as a collection of takes of different girls in different situations.

There are several continuity errors distracting the viewer. The producers, director, and editors should have reviewed the edition with more detail.

There were also some pointless decisions in the editing room, such as the first slow-motion scene, which had no purpose in being slow, and the focus on some window while dancing.

No context, no purpose. Although the writing was good, there are situations and lines of dialogue going sideways and getting lost.

The victim writing a secret list of received abuses, while calling them out, presumably for the viewer to hear, but at the same knowing that her captor is probably listening, is something which should have been written with more thought.

Original music for this film was rather scarce. I think it was well composed but original music should also have been put in important scenes of the film.

These scenes were hurt because of that silence. The rest of reviews for this film address other problems I agree with.

I think a director's cut is in order. After addressing these problems the film would be awesome. Also, this film's staff is in debt to this lady and her family; they should have been more careful with the editing and music, out of respect and sensibility, just as they were careful at writing, acting, producing.

By the way, the sets were terrific, claustrophobic, overwhelming. A bleak depiction of eight years of captivity. Every aspect of this movie feels extremely authentic.

Scenes are neither prettified nor made intentionally scary. The use of music and cuts to enhance the experience are very sparse. And what's more, the movie never takes you by the hand.

It doesn't explain what is going on in the Natasha's mind, or the kidnapper's mind. You just have to be smart enough to figure it out yourself.

Does that make it a good movie? Different people will give different answers. As far as I'm concerned, it does. I value authenticity quite a lot, and I appreciate the simplicity of the adaptation.

I also find it quite easy to understand what's going on inside of the kidnapper's head. I get how he thinks, and why he does what he does.

He wants someone below him, someone who will obey him unconditionally. He wants her to be pure, and innocent, and to look up to him.

Watch his habits and his relationship with his parents, and you may understand why. Does it work out?

Of course not. In between pretending to like him and to be happy , there are numerous times when she reveals how she really feels.

He deals with this by being mad for a while, and then starting over. Because what else would he do?

Admitting that she'll never like him is not an option. Based on the character from the movie which I take it may not be faithful on this particular issue, since real Natasha didn't want to talk about it , he probably did not intend to ever have sex with her when he abducted her.

Rape does not fit into the picture. However, a few years in, he is a single guy and she is an attractive woman who is completely under his control, and he has done terrible things -anyway-.

The opportunity is basically free for him, so eventually he gets weak and takes this. This too makes perfect sense, in fact it is the most plausible outcome.

I watched the movie not knowing that it was based on a real story, and came out appreciating the style a lot. Knowing it now, the value of its authenticity is higher still.

It is an extraordinarily pure piece of art. This story about the abduction of year-old Austrian girl Natascha Kampusch and her days in the hands of her kidnapper Wolfgang Priklopil is done without any skill that reaches more than a below-average German TV movie and that is BAD, for those who are not familiar with such exploits.

Not only that it is slow in pace and filmed in a completely bland style without and sense for atmosphere speaking of "direction" or cinematography - which is, believe it or not - done by world famous cinematographer Michael Ballhaus!

All attempts at creating a menacing or desperate feel regarding the girl's imprisonment are falling flat and running empty - and these are the only adjectives that come to mind when watching this really unnecessary and awful film.

As awful and gruesome as the actual story of Natascha Kampusch was and is, then having seen this movie, I must admit that I sit here with a somewhat foul taste in my mouth.

Parts of me are appalled that this was actually turned into a movie - and whether it be for telling her story or making a profit matters not - then there is no particular need to put sick stories like this on the movie screen.

So what is next a movie about Josef Fritzl? The story was directed and told nicely enough, but still not really something that the world of cinema needed to have added to its vault.

However, all throughout the movie, there was just something profound lacking from the story to really portray that Natascha was being kept against her will - it just wasn't there, so whether it was a flaw on the directing or the acting, I have no idea.

One thing that always puzzles me is why they don't make these kind of movies in the appropriate language according to where they take place?

It was really discrediting to the story that people were speaking British English throughout the entire movie.

Thure Lindhardt, playing Wolfgang Priklopil, was the one carrying this movie by all means. He put on a great performance, but towards the end it turned a bit tedious.

And we all have different opinions about such matters, and mine is that it is really distasteful to cash in on horrible events such as this.

I can understand why Nastascha Kampusch would write the book that she did to help deal with what she went through, but this movie was entirely unnecessary and shouldn't have seen the light of day.

You wonder sometimes if everything has to be made into a movie. And how you'd be showing this. This is based on a real case and it doesn't make the viewing any better because of it.

Which might be considered a good thing for some or a real bad thing for others. The actors are doing their best to get the best out of the situation.

If you know what happened the title being a clue here, especially because you get time reminders every other scene , the question is, do you want to watch this?

Is this something that is inspirational or just plain awful? I really couldn't see the point in it all, a book or a really good article would be more than enough.

Having followed media coverage regarding Miss Kampusch since , I knew the story quite well. The movie focused completely on her -- and only her -- situation during eight and a half years of captivity.

Since the movie is based on her autobiographical book " Tage", we learn very little about the kidnapper's motives and his emotional world.

Also, her father's sad story is completely omitted. This is probably also the case for the book, which I haven't read. But still, the movie didn't quite catch me.

I felt no emotions whatsoever, neither for her nor for her kidnapper. Cold soberness. Light and photography was also excellent, adding to the matter-of- factness of the movie.

Once you get past the awful acting, it's a good movie. Quite harrowing too when you remember it's a true story. I think it perfectly portrayed Natascha's situation and the ambiance could not have been displayed any better.

The movie's kind of depressing and dark, but that's the way it should be. Some parts do look a bit cheap and I think that a bigger budget would have really improved the movie's overall look.

The film shows great details during the time of kidnapping but fewer details after she was released.. So yes, this are my two big problems - Thure is too handsome for this part and the chemistry between him and Antonia is too real and too inappropriate.

Having this contrary to the main idea facts, I found it extremely hard to concentrate on the storyline, cinematography and acting.

You probanly think that I romanticize the Stockholm syndrome or something like that. One huge NO. When I watch a movie, I watch each detail in it.

That's all. As far as I tried, I found out that the acting was mostly okey, but I can't say the same thing about the story.

It is understandable that the scenes will be hard to watch and so on but c'mmon - you can't narrate eight years in random situatations just like that.

This is a movie and as a such, it should tell a story. In spite of and because of the subject. I have read a comment that it seemed as if she doesn't really want to escape.

I agree, though I don't see where the problem is. Yes, Antonia had some weak moments, but I don't think this was one of it. Still a mystery to me, probably the directing was poor or the script was misunderstood by the book, I don't know.

I also agree that more finnances would have made the movie better. The truth is, I felt a little anger and huge amount of compassion.

A topic based on the kidnapping of a child is packed with such substance and emotion that it naturally raises expectations for the viewers to experience similar emotions.

Self - Co-Host. Self - Abduction Victim. Died: May 1age 68 in Munich, Bavaria, Germany. How much of Natascha Kampusch's work have you seen? Clear your history. Everything New on Hulu in June. She kinos. to an assistant director and producer, known markie post Verbrechen, die Geschichte machten https://jamtkraftstadsnat.se/serien-stream-illegal/andy-gibb-todesursache.php, K - Verbrechen im Fadenkreuz and Link Kampusch - Tage Gefangenschaft See the full list. Known For. How much of Sabine Zimmermann's work have you seen? Clear your history. See the full list. Source February 17in Vienna, Austria. Do you have a demo reel? London: Penguin. Share this page:. See more XY Show all 17 episodes. How Much Have You Click the following article Self - Co-Host. Sekretärin von Dieter Becker uncredited. Edit page. Down https://jamtkraftstadsnat.se/tv-serien-stream/fack-ju-gghte-3-stream-deutsch-kinox.php, this week. Do you have read more demo reel?

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Documentaire: Natascha Kampusch - 1ère interview après 8 ans de séquestration

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Filmography by Job Trailers and Videos. Self uncredited. Self - Guest. Known For. Running out of binge-worthy content? Sign In. Show all 17 go here. It looks like we don't have any Filming Locations for this title. Get the IMDb App · Get the IMDb App · View Full Site · Help · Site Index · IMDb Pro · IMDb TV · Box. IMDb, the world's most popular and authoritative source for movie, TV and celebrity content. Brigitta Sirny-Kampusch in Natascha Kampusch - Tage Gefangenschaft (​). Natascha Kampusch - Tage Gefangenschaft. (60)IMDb minX-​Ray Im Alter von 10 Jahren wurde Natascha Kampusch entführt und acht Jahre. Brigitta Sirny-Kampusch in Natascha Kampusch - Tage Gefangenschaft (​). 3096 tage imdb I click to see, how she dealt with this horrible experience. It lacked both cohesion and continuity. When I watch a movie, I watch each detail in it. Hopefully, it will inspire compassion in us. Since the movie is based on her autobiographical book " Tage", we learn very little about the kidnapper's motives and his emotional world. Because being kidnapped for days is something repetitive. Based on real life events. Upset, Natascha walks out of her read article and heads to school, but on her way there, she stellungswechsel stream kidnapped by a young man Click the following article Lindhart who hides her in a white van and takes her to a hidden cell under his nackt sabrina. Sign In. Verbrechen, die Geschichte machten Producer. Downthis week. Jump to: Writer Self Archive footage. In Memoriam Known For. No need to waste time this web page browsing—here's the entire lineup of new movies and TV shows streaming stream hana yori dango Netflix this month.

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Startseite Kontakt. Film Streaming Dienste. Title: Different Seasons German Title: Frühling,Sommer herbst und Tod " Tage " erzählt die wahre Geschichte der Natascha Kampusch, welche als damals zehnjährige von dem arbeitslosen Nachrichtentechniker Wolfgang Priklopil in Wien entführt und mehr als acht Jahre lang in seinem Haus gefangen gehalten wurde.

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What can be said about a movie with such a devastating topic. Apparently, from reading some of the comments in the forums, lots.

People seem to like to focus on the negatives don't they. They want to zoom right in with their high powered microscopes.

They want to pick and pull apart the parts that affected them and they want others to agree with them. I am no different.

Sure there was a lot to talk about. Sure you can say that the actors said some things that they might not've, had they thought about things.

But we all misspeak. We all open our mouths before we consider all that our words can mean. This movie has a simple way of shocking.

If you're not somewhat experienced in kidnapping movies, this one will make you malfunction inside for a week or two.

Why do we make such movies, why do people want to share their stories and "profit" from this horror..? The answer might be easy to overlook.

If you need to reconsider bringing kids into this world, if you need to compare how you spend the little time left in your life If you need a reason to hug your kids and are struggling to find the love that they need If you feel like you might be missing something from your life Watch this movie.

If you find that after watching this movie, you don't cherish every minute of your life, you don't remember every moment with your loved ones, you might be more of a monster than Wolfgang's mother.

Should we stop making movies about the horrors of our world, it won't make them stop happening. Should we stop "feeling" and sympathizing and paying real attention to the world around us, it's time for someone to put us in a cage for eight years.

This true story that many have heard of in the news is realistically brought to the screen in this well made and shocking movie.

A 10 year old Austrian girl is kidnapped for 8 years and kept imprisoned in a small basement room for much of the time.

The actress Antonia Campbell Hughes looks frighteningly thin. The real person was kept on an almost starvation diet for years.

The Danish actor who plays the kidnapper is good too - he doesn't act too obviously crazy. It's unimaginable that she survived but the thing that makes watching the painful story bearable is to know she escaped.

Some of the reviews for this film reveal the "blame the victim" mentality held by society towards victims of sex crimes.

The hints of blaming the victims echo the usual excuses, that these victims in some way got what they "deserve" for not apparently fighting back, for "letting it happen", and on and on.

These rationalizations are some of the worst blows to the victims and conversely one of the greatest supports of the perpetrators.

It is necessary for films like this to be made so the myths and lies of sex slavery are viewed for what the reality is: torture, plain and simple.

In one of her newspaper interviews after the film was made, Ms. Kampusch stated that the reality was far worse than the film depicted, so this glimpse into the world of sex slavery was watered down considerably.

I also was glad that there were hints of mysterious behavior from other characters involved in the story who may or may not have been involved in what the Austrian police later publicly claimed may have been the machinations of a pedophile ring, which may have helped this perpetrator abduct and psychologically torture the victim.

Too bad this statement from the Austrian police was not included in the film. ShowMeTheCredits 14 December I wanted to watch this film because I was curious about the details of Ms.

Kampusch's kidnapping and her life before and after. And partly also, to be perfectly honest, because of the horror of it all.

I don't want to label us all as emotional and violence porn freaks for watching this, but there's a certain part of that in it, too.

After all, if we all just wanted the facts, then why watch a dramatization? Why not read about it or watch a documentary? The problem with this film is that is satisfies neither desire.

I don't feel significantly more enlightened about the facts and the story, and I didn't get much drama.

So what's wrong here? Well, with regards to Natascha's life as to before and after her captivity, this film seems uninterested in it.

We are offered but a good handful of minutes dealing with her life before her abduction, and the film ends within minutes of her escape.

What is focused on is her life as a hostage, and the time spent on this subject is used to play out the intended drama.

Which is the second problem of this film. As a drama, it just doesn't work. And a low budget doesn't justify the reasons for that.

One of the problems I have with it comes from the decision on shooting it in English. It seems odd, given that it is a European production set in Austria.

In more capable hands such a decision is often a non-issue, but here it becomes a real problem accentuated by decisions on casting non-English speaking actors.

As a Dane, I should probably be proud to see two Danes in this film, one of them in a leading role. Truth be told, I think they should have stayed at home.

It really makes me wonder what reasons are behind casting Thure Lindhart as Mr. And while Amelia Pidgeon is actually excellently casted as the year-old Natascha, with her striking physical resemblance to her, Antonia Campbell-Hughes is just such an astoundingly bad choice for teenage Natascha, it makes you wonder just how many people were casted as favors between friends rather than on their merits.

Antonia Campbell-Hughes, playing year-old Natascha was 31 while filming. I don't know what else to say but, "why? And why the need to cast an anorectic?

We know that Ms. But, the facts are that when Ms. Kampusch escaped, she was That's a BMI of So why cast an anorectic year-old for this part if not for shock value?

And then the real question arises: Why would you need such a walking-and-talking visual counterfactual dramatic shock effect when you're telling a story that is already laden with such horrendous facts?

The answer in this case is: Because you don't know how to tell a story. Let's forget the semi-amateurish cinematography and directing that all to often manage to undo those rare occasions where the actors actually succeed in performing convincingly, in spite of having been tasked with portraying flat, single- dimensional characters.

The real problem is not that Days is presented like an episode of The Bold and the Beautiful, the real problem is that unlike that soap opera, it fails to portray complex and interesting characters who interact in meaningful ways in a story arc that is well-structured, well-paced and harmonious.

But as a whole they come out disjointed, failing to create a real sense of continuity. The film rushes and dwells at unfortunate and peculiar times, with the end result being an empathetically dysfunctional viewing experience with no real story progress and very little suspense.

We all know what's going to happen, so why are we still watching? The director and script writers aren't offering any good reasons.

When you are telling a story that everyone knows already, you focus on the people, and on the details.

You find the small story that tells the big story. Sadly, there is no story here. There's not a lot of people, either.

For instance, the time spent clumsily showing us how Natascha's family are dealing with their lives without her should be counted in seconds, not minutes.

But isn't this an extremely difficult task considering the actual events and their all- too-long time span?

Shouldn't I then be lenient with my critique? On the contrary, I think it is only showing disrespect to tell a story like this if you're not capable of doing it properly.

Let someone else do it, then. On the positive side, the acting is all right at times. The reconstruction of the surroundings seems to be spot-on judging from police photographs.

There are a few effective scenes in the film, most notably one with the just abducted Natascha waking up to face her empty cell, which in its simplicity overwhelms you with the dread and despair she must be feeling.

And last but not least, Ms. Kampusch will receive royalties whenever someone watches this film. Bottom line: I didn't get the drama my inner empathy porn freak hoped for, and my curious freak now wants even more to watch an actual documentary on this tragedy.

Xarabe 23 March I had tracked the progress of this film from its initial stages after the release of the book to the ridiculous speculative casting; Kate Winslet and Scarlett Johansson, two actresses known for being voluptuous playing an emaciated young woman from about preadolescence to young adulthood?

Yeah, right! No wonder the film took ages to get going. Unfortunately, it was also delayed because the initial director Bernd Eichinger passed away.

Hoffman later took over the realms with Eichinger still listed as writer. This type of story was not suitable for maudlin Hollywood Oscar bait treatment and fortunately it didn't go there.

It's probably a good thing it was an independent film with obscure indie actors which would help detract the potential glamorization of such a sad sad story.

If you have read the book this film is based on, I would be surprised if you found the film equally insightful. It isn't. The film in spite of its natural limitations of time does not do enough to absorb Natascha's harrowing story.

You're pretty much getting a clear-cut version of her ordeal but that's not surprising with most adaptations of real life stories, especially ones that have an important chronology as hers did.

This monster robbed her of her youth, and you can't really translate that when you have a grown woman of 30 playing the young teenage version of her.

Having said that, the acting was okay - nothing special. Hughes, to me at age does look convincing as a younger person, not sure enough to pass for a young teenager but you will just have to suspend any disbelief.

The set and locations I think are relatively well done. There are some scenes that were as I imagined them to be reading the book.

The story does stretch the truth more than what Natascha herself was willing to reveal in her book but has implied outside of the book later on.

The relationship between kidnapper and captive is very complex - probably not understandable to most people, thankfully.

This movie does a predictably mediocre, yet mildly engaging way of portraying this type of relationship. To be honest, if I just watched the film without actual knowledge of the real-life events that occurred, I would have given it a lower score, but because of my personal interest in Natascha's story, I can't help but say I was interested in the film - to see a visual albeit fictitious representation of what "happened".

The fact that this movie is based on a true story, makes it definitely worth watching. I admire the actrice who playes Natascha Kampusch, she really does an amazing job.

Also, she got extremely skinny to play this role, which makes it even more credible. The small room where she was held in the film, looks exactly like the real one yes, I did some research after I watched this.

In the mood to feel miserable? You won't regret this one! This film is based on real events with very little poetic license, I watched the documentary beforehand called Natascha Kampusch The Whole Story and the film hardly strays from her experiences including where she was held captive, remember you cannot put everything into 1hr 50mins.

Overall i found it most compelling and thought provoking on different sides of human nature. Obey me! The shocking event took place during the late 90's and the title of the film refers to the amount of days Natascha was held captive, so there is no spoiler here.

The premise may sound interesting since this is an extraordinary story, but the truth of the matter is that the film failed to engage me.

The film focuses on Natascha and how she struggled to break away from her chains, forgetting about the outside world there are a few scenes with the mother, but we never get to see her desperation and the police procedural to try to find her.

Because of this the film focused entirely on Natascha's captivity which after a few minutes kind of felt repetitive because there wasn't much they could do with the story.

We see the abuse she experiences and clearly her captor is a troubled and sick young man, but there isn't much more that the film has to say about this.

Thirty minutes into the film you realize that it doesn't have anything more to offer and the story begins to drag so much you actually feel like you are held captive for years.

The film opens with a scene at a local bar in Austria where a 10 year old girl named Natascha Amelia Pidgeon is falling asleep while her father Roeland Wiesnekker is having a few drinks.

The next morning Natascha's mother Trine Dyrholm is trying to wake her up for school, but of course she has trouble doing so due to the late night her father put her through.

Her mother realizes that her father has taken her to the bar again, but Natascha defends him and is slapped for doing so.

Upset, Natascha walks out of her home and heads to school, but on her way there, she is kidnapped by a young man Thure Lindhart who hides her in a white van and takes her to a hidden cell under his home.

For the next 8 years this will be Natascha's home. The film focuses on those early days and then it jumps forward in time to her teen years played here by Antonia Campbell-Hughes where she is abused.

She is convinced that only one of them will survive, but she never loses hope that one day she will break free.

The most positive note about this film is the impressive transformation that Antonia Campbell- Hughes went through to play Natascha.

It was shocking to see her so thin and it allowed us to understand the true impact of the abuse she was receiving.

It's just too bad she went through this physical transformation in such a bad film. She delivers a strong performance as well as Thure Lindhart, but the rest of the cast is forgotten.

I believe that if the film gave us a better glimpse of the outside world and the struggle Natascha's parents were going through, it would have engaged the audience more.

But since everything takes place almost entirely in captivity the film does get repetitive and dull at times.

The story is devastating, but the film never made me feel that way really. Stick with the book and stay away from this movie.

I came to this film without any assumptions, nothing more than the hope to be told more like summarized the incredible story of what this lady had to go through.

Characters were well developed by the the writing staff as well as the actors. The real problem with this film was the editing. Lack of expertise was palpable in the way this film was cut.

It lacked both cohesion and continuity. It looked like a photo reel at times. The notable exceptions were: the fantastic transition marking 4 years of captivity, and the transition to freedom.

They were really well done, very professional. Then how come the rest of the editing is so amateurish? The first minutes of film were rushed: Lady calls for help.

Cut to little girl with her father in a bar. Cut to sleeping girl. Cut to angry mom, cut to walk to school, All in a few moments.

It absolutely looked as a collection of takes of different girls in different situations. There are several continuity errors distracting the viewer.

The producers, director, and editors should have reviewed the edition with more detail. There were also some pointless decisions in the editing room, such as the first slow-motion scene, which had no purpose in being slow, and the focus on some window while dancing.

No context, no purpose. Although the writing was good, there are situations and lines of dialogue going sideways and getting lost.

The victim writing a secret list of received abuses, while calling them out, presumably for the viewer to hear, but at the same knowing that her captor is probably listening, is something which should have been written with more thought.

Original music for this film was rather scarce. I think it was well composed but original music should also have been put in important scenes of the film.

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